5.Energumenus (The Birth Of The Cursed Creations) 04:51
6.Blasphemy Resurrected 03:40
7.A Place Their Gods Left Behind 06:11
8.Burn Thou In Effigy 01:10
9.Tyrant 04:47
Finally available again, this true Masterpiece of Brutal Death Metal from Japan. AN ABSOLUTE MUST HAVE!!!! Official re-issue with Sewer Rot Rec. A MUST HAVE, VERY LIMITED RELEASE!!!
Pushing progressive death metal in ever more imaginative directions, Entheos continue to stand apart from the pack. Incorporating elements drawn from myriad genres – including death metal, groove, grunge, electronica, slam, gothic rock, jazz, prog and more – they have evolved with every release, and now they return with the follow up to 2017′s landmark Dark Future, the diverse and exhilarating Time Will Take Us All. It arrives March 3 via Metal Blade Records. Pre-order it here: metalblade.com/entheos
Today, the band has shared the video for “Darkest Day.” Watch it here: youtu.be/mCtvTa4iZVk
“We are excited to release a live video for our latest single ‘Darkest Day,’” the band says. “The video was shot in Knoxville, Tennessee, in December. This was one of the most fun and energetic sets we’ve ever played and the crowd set the perfect tone for the fast-paced ripper that ‘Darkest Day’ is. Our friends Marshall Wieczorek and Michelle Nisbet were able to capture that energy perfectly and we’re so proud of the video we were able to create together.“
TIME WILL TAKE US ALL TRACK LISTING:
01. Absolute Zero
02. In Purgatory
03. The Interior Wilderness
04. Oblivion
05. I Am the Void
06. Darkest Day
07. Clarity in Waves
08. The Sinking Sun
09. Time Will Take Us All
Entheos are also touring this spring. All dates are below.
ENTHEOS ON TOUR:
WITH WHITECHAPEL:
04/14 – Masquerade – Atlanta, GA
04/15 – The Orpheum – Tampa, FL
04/16 – Revolution – Ft. Lauderdale, FL
04/18 – The Underground – Charlotte, NC
04/19 – The Canal Club – Richmond, VA
04/20 – Baltimore Sound Stage – Baltimore, MD
04/21 – Warsaw – New York, NY
04/22 – The Palladium – Worcester, MA
04/24 – St. Andrews Hall – Detroit, MI
04/25 – The House Of Blues – Chicago, IL
04/27 – Granada Theater – Lawrence, KS
04/28 – Gothic Theater – Denver, CO
04/29 – Metro Music Hall – Salt Lake City, UT
05/01 – Showbox Market – Seattle, WA
05/02 – Hawthorne Theater – Portland, OR
05/04 – Ace Of Spades – Sacramento, CA
05/05 – The Regent – Los Angeles, CA
05/06 – The Observatory – Santa Ana, CA
05/07 – The Nile Theater – Mesa, AZ
05/09 – Mohawk – Austin, TX
05/10 – Amplified Live – Dallas, TX
05/12 – Red Flag – St. Louis, MO
05/13 – Basement East – Nashville, TN
We knew when we started writing that we really wanted to make something darker and heavier that was still uniquely Entheos, and we knew that we wanted to make a record that really came from our hearts and captured where we want to take this band,” explains vocalist Chaney Crabb.
“The new album also has a strong ‘trippy’ vibe, not in a generic sense but meaning when you are done listening to it you feel like you’ve gone on a journey,” adds multi-instrumentalist Navene Koperweis. “I’ve always loved albums that gave me that feeling. I can’t say we set out to have the experience, it just sort of happened and that’s something I’m proud of.“
Having stripped down to a two-piece in 2020, this has helped to streamline the band and allow the core members to make the music they want to with no compromise, which is clearly to their betterment. Koperweis – who takes the role of drummer in the band’s live lineup – has long written most of the guitar parts, so it was not a radically different writing process, but allowed him the freedom of complete control. “I tell people this album is more of everything that we do, except this time it’s deeper in all directions,” says Koperweis. “We’re no longer dipping our toe in the pool on certain aspects, when we decide to go somewhere, we fucking go there.“
Relying less on synths and electronic production than on previous releases, a lot of the more atmospheric elements are contributed by guitar, and there is even an acoustic guitar for the first time on an Entheos record. Crabb has also pushed herself harder than ever before, interested in consistently practicing to find new pitches and timbres in her voice, and she has most certainly extended the range of her screaming. Using pitched screaming to add melodic lines in many places, this is also the first Entheos record on which she has sung.
When it came to penning the lyrics, Crabb knew that she was going to write about her own “experience as a human” and approach the album based on the lingering awareness many people have, that there is so much world out there and there are so many different experiences to have – but there is so little time. However, this idea really hit home in August 2021 when she got into an accident on her electric scooter on the day she started tracking vocals.
“I do not remember how I fell, but when I woke up I was really badly hurt. Gravel was embedded in my lower lip and had severed the inside of my chin from my face, my upper lip was completely split open to the point that my teeth were visible, my nasal septum bone was split in two and my nose was completely bent to one side – I ended up with 100 stitches in my face and was unable to do vocals for three months. I lost all abilities to move my nose and lips for those months, and to this day I still haven’t regained complete control.“
Because of this accident she found herself in a strange place mentally, juggling between feeling truly happy and grateful for every second that she was alive and got to spend with the people who she loved, but also feeling completely depressed, because of all of the uncertainty surrounding her injuries. She shares, “The album took form as a journey from the depths of depression into gratitude, but ultimately as an examination of our time and how precious it is.“
With Koperweis handling production duties and Mark Lewis (Whitechapel, The Black Dahlia Murder) mixing the record, all of the drums were tracked by Zack Ohren at Castle Ultimate, and Koperweis tracked guitars and vocals. They also recruited former member Evan Brewer to supply the bass. Though committed to their status as a two-piece, the band does have a live lineup with Brian James (ex-Fallujah) and Robert Brown (ex-Slaughter to Prevail) providing guitar, maintaining their reputation for being a killer live band. Having delivered the best record of their career they are also in a very good place mentally, but they do not get ahead of themselves.
The album will be available in the following formats:
Digital / Streaming
CD Jewelcase
Vinyl – Dark Gray & White Marble (US exclusive)
Vinyl – Clear with Gold Metallic & Black Marble (US exclusive)
Vinyl – Red / Gold Melt (A Side B side) (EU exclusive)
9.(Compliments To The Machine) Old Rotten Fake Branches 01:50
10.Decium 01:36
11.Nowhere 04:50
12.Isolation Ambience 07:07
13.Fearr}}} 09:52
A compilation of demos, remasters and unreleased tracks.
A lot of the ambience has been stripped from these older/demo versions of tracks, something that I feel makes them rawer and more chaotic in a way.
Some tracks never made it past the demo phase or had some cool alternate versions, others I wanted to revisit.
This will most likely be the only compilation release I'll do for Zkarv as most tracks in future will follow more of a conceptual writing pattern.
I always love releasing demos for things, it gives you a lot of freedom for writing, mixing and allows music to be raw and unfiltered, so I'll consider this the last Zkarv demo release.
Some of my favourite music in the world are demo releases.
The first track and the last five are all original.
Tracks 2 - 8 are demos, remasters & alternative versions of existing tracks.
Metal Blade Records is pleased to announce the signing of Atlanta, Georgia’s highly experimental, progressive death metal band, Dååth.
“After 12 years on hiatus, we agreed that if we’re bringing DÅÅTH back, we’re doing it right. That’s why we’re so excited to announce that we’ve signed to our dream label, Metal Blade! From day one, they understood and backed our vision for the future, have an inextinguishable passion for the genre, an incredible staff, and are one of the reasons Metal is on the map and thriving. We’re excited to add to the growing metal history Slagel & Co have forged with unstoppable determination. DÅÅTH signing to Metal Blade couldn’t be a better pairing – we’re taking this to its full potential, letting nothing and nobody stand in our way. If you’re not going all out, what’s the point?” – Dååth
Check out the single No Rest No End HERE and go to metalblade.com/daath to see where you can stream or purchase the track.
The band began their journey in 1999 and stayed busy for just over a decade before taking a hiatus in 2011. In that time, Dååth released 4 studio albums (Futility – self-released 2004, The Hinderers – Roadrunner Records 2007, The Concealers – Century Media 2009, Dååth – Century Media 2010) and toured throughout the world with band’s like Dark Funeral, Naglfar, Zyklon, Dragonforce, Goatwhore, Chimaira, Throwdown, Dying Fetus, and Devildriver making a lasting impression with the metal community and its many subgenres. Dååth also landed a coveted spot on Ozzfest playing before tens of thousands of fans in outdoor amphitheaters across the US in addition to the infamous and long-running metal tour, Summer Slaughter.
In their time, Dååth managed to create an extensive fanbase worldwide with their unique brand of experimental death metal, which makes it no surprise that the metal community lit up once rumors of the band’s return began to surface online. The metal community only continued to buzz with support as members began making posts teasing new material. The metal world made it clear they were ready for the return of one of the strongest progressive death metal bands of the first part of the 00′s.
Dååth is now back with an updated lineup and stronger than ever, which can be heard in the group’s new single “No Rest No End” that will see digital release by Metal Blade Records on February 22, 2023. The track features guest solos by Rafael Trujillo (Obsidious, ex-Obscura, instagram.com/rafaeltrujillo_official) and Spiro Dussias (instagram.com/spirodussias) and was mixed by Jens Bogren (Sepultura, At The Gates, Kreator, Dimmu Borgir), Mastered by Tony Lindgren (Enslaved, Katatonia, Leprous, Wardruna), with Vocal Production by Andrew Wade (A Day To Remember, Motionless In White, Wage War), and Engineering by John Douglass (Megadeth, Alluvial, The Contortionist). Fans can expect to hear the next stage in evolution of Dååth‘s brand of melodic and progressive death metal.
“‘No Rest No End’ is the reason DÅÅTH is back.” comments guitarist Eyal Levi. “When the writing began, I was looking for proof that we still had it. The last thing I want to do is put out music that sounds like a bad cover of our back catalog. When this song came together, it was clear that we needed to see this through. ‘No Rest No End’ is the pinnacle of everything I’ve wanted to do with this band and features our full lineup firing on all cylinders: crushing riffs, orchestrated to the max, an infectious chorus, insane solos, my favorite metal drummer, baroque insanity, signature clean guitars, and an incredible mix. It’s the most ambitious song we’ve ever written or recorded and we’re just getting started. Enjoy!“
Vocalist Sean Z adds, “The first time I heard ‘No Rest No End’ in demo form, I was blown away! I immediately knew exactly what I wanted to do vocally. The words practically flew off the page. During every step of the creation process, the song was an obvious masterpiece. It’s meant to be heard, and it’s meant to be played loud!“
Jesse Zuretti who handles orchestration, synth, and guitar says that “‘No Rest No End’ is what happens when everyone involved pushes themselves to their extremes. In metal, we often pride ourselves on how difficult something is to master – and this song is the pinnacle to that thought. We all showed up at our very best to make ‘No Rest No End’ our masterpiece. From the orchestration standpoint, we took this to cinematic & baroque levels in one song. The guitars were also deeply challenging and equally fulfilling to track. Not to mention the Michelin rated guest solos.” While the band’s new drummer Krimh calls it “a furious ride with the perfect title, ‘No Rest No End.’ At least that’s how I feel while playing this song. From a drumming perspective – you better get your running shoes on because this track makes you work hard! It has fast double bass, blast beats and a ton of groovy parts. It is definitely one of our strongest songs and with its many layers you will find new things each time you listen to it.“
My Goddess Agony, is the first studio EP produced by I Imagine Murder.
released February 15, 2023
Jamal Greely - Songwriter, Vocalist
Maggie Greely - Songwriter
Chris Honold - Producer, Lead Guitarist
Evan Peck - Bassist
Coleman Allen - Rhythm Guitarist
Dan Miller - Drums
I Imagine Murder, is a Metalcore band from Missoula, Montana that was founded by Jamal Greely and Coleman Allen in late winter of 2022.
Evan Peck was asked to join as the bassist. Two singles were released "My Goddess Agony", and "Ouroboros", before Chris Honold was brought on as lead guitar, and Dan Miller as the official drummer.
Co-release with Paragon Records (USA) and Symbol of Domination (Moldova)
Once again, Dimentianon return with their own style of Black, Death, Doom Metal charged with mesmerizing atmospheric, ambient elements. As always, the band follows NO trends and carve out a path all their own with a sound that is natural & refreshing. The band progresses from what they did on their previous album “Dreaming Yuggoth” even further to cultivate an eclectic sound more cohesive and devastating. Mainstay vocalist M delivers his distinct rasp & growls with the combination of Joe Fogarazzo (Rigor Sardonicous) on guitars/bass, Don Zaros (Evoken, Marshmallow Bunnies) on keyboards and Matt Hass (Reluctant Mortem) on drums to deliver organic, character driven instrumentals that form a line-up which gels so seamlessly.
The band exists in a void where few others will enter. For the first time in the bands history, the line-up has stayed the same for consecutive album releases and shows why they are one of the longest surviving, darkest cults the Long Island, NY scene has to offer!
8.Forgotten P.O.W. of the French German War 1870 - 1871 05:30
Endlager says:
"The album has again some fine historic facts which ain't known that much as not too many like to read too much. Funding as charity and imagery is then one thing. Tourism even one economic factor.
And more I have also found quite special stuff and like to let You hear the lyrics before reading.
It deals about the simple fact that while Dreyfuss affair what is the tripod or trinity has been before world war one also a quite special case.
As blood and honour wording by 18 the century Author from 1888 show quite a special thing. French compared as kind of preparatory ideology as the Kaiserwürde from French Emperor Napoleon III went over to German King to become Kaiser Wilhelm due the french german war 1872.
I have also 2 songs more on European and African domestic slavery or say the end. Also quite interesting thew words used in that quoted Code Noir - conference in Bruxelles 1890 on such or ending the slavery. What has been officially by British and else by 1875 should have taken place.
Well many know today a far bigger problems due fenta and other drug dependencies and povery policies by some western and other governments.
Here for the copy rights of the Cover of this album the by official state say tax payers paid Bavarian national museum.
By EU Laws as some windsor convicted WEF never regarding or respecting democratic Europes right as Greece for such as such great blablalbaa Clinton County tricks not getting.
As long as Wikipedia HQ also in now more far more protected by Europe Switzerland once or still or the jurisdiction as in all copy rights as commons also by Australia and NAFTA Canada and New Zealand protected.. .
I have only to mention it.
Same for all pictures as the archive material and I set here also the authors of the books I have not copied but taken informations and sat together in my own non Chat GPT words.
Since my first EP on BC known pratice.
For the theory on pratice what Blair advisor Prof Anthony Giddens and Prof. Sorbonne Paris, France Pierre Bourdieu:
