martes, 3 de febrero de 2026

CORPSEMANGLE RELEASE "EATING THE DAMNED"

 


PRESS RELEASE:

Band: Corpsemangle

Album: Eating the Damned

Country: Bulgaria

Genre: Old School Death Metal

Release: January 12th, 2026


Corpsemangle is an old-school death metal band inspired by the early 90s Morrisound sound. Influences include Death, Obituary, Deicide, Cannibal Corpse, Gorguts and Immolation. The band started in 2015 as a solo project by Antoan Bozhkov, but in 2025 Corpsemangle returned as a two-piece with Antoan on guitar and vocals and Martin Aleksandrov on bass and backing vocals. The band released several singles in 2025 including “Instruments of Butchery”, “Hydraulic Press Crusher” and “Odor of Rot”. The debut full-length album “Eating The Damned” was released on 12 January 2026.


For more info:

https://www.instagram.com/corpsemangleband

https://www.facebook.com/Corpsemangle

https://x.com/Corpsemangle_

https://www.youtube.com/@Corpsemangle

https://open.spotify.com/artist/4fwMmcwY9LP6142M9loeXh

https://music.apple.com/us/artist/corpsemangle/1839972559

https://music.amazon.com/artists/B0FR66YM95/corpsemangle

https://www.bandsintown.com/a/15615182

https://corpsemangle.bandcamp.com/

TERRORIZER RELEASE 5TH PRESSING OF "BEFORE THE DOWNFALL"

 


PRESS RELEASE:

F.O.A.D. Records proudly presents the fifth pressing of one of grindcore’s most essential documents: TERRORIZER – "Before the Downfall", a deluxe gatefold 2xLP + CD edition encompassing the band’s complete demos, live recordings, and unreleased material from 1987 to 1989.


Watch the trailer HERE.


This release represents the first and only official vinyl edition of the legendary TERRORIZER L.A. demos: not a bootleg, but a fully authorized collection that captures the raw power and historic significance of the band’s early years. As Oscar Garcia puts it: “This is the first and the only true release of Terrorizer LA demos ever captured on vinyl… an awesome collection for any Terrorizer fan!”

Hailed as the ultimate anthology of TERRORIZER’s early years, "Before the Downfall" spans 46 tracks of relentless grindcore with a solid death metal backbone, including all the fan-favorite classics alongside rare and unreleased material. Among the highlights is "Collapse", recorded during the "World Downfall" studio sessions but never officially released until now.

This fifth pressing arrives in a deluxe gatefold 2xLP format, now available in new color variants distinct from previous editions. Side D features a striking silkscreened print, adding a unique visual touch. The release also includes a fixed bonus CD, now correctly featuring "Funeral Bitch" (Master cover), a track that was accidentally omitted from the first three pressings.

Collectors will also enjoy a 16-page booklet packed with in-depth interviews, never-before-seen photographs, scans of original flyers, demo artworks, and more, alongside an A2 poster — making this package the definitive item for any TERRORIZER fan or grindcore enthusiast.

This edition is strictly limited to 300 copies worldwide:

200 copies on black vinyl with purple silkscreen print on side D

100 copies on grimace purple vinyl with black silkscreen print on side D


With "Before the Downfall", F.O.A.D. Records delivers a meticulously curated archive of the godfathers of L.A. grindcore at their most unrelenting, a true testament to the power, ferocity, and enduring legacy of TERRORIZER.


F.O.A.D. Records

https://www.foadrecords.com/

https://www.scareystore.com/

https://www.facebook.com/foadrecords/

https://foadrecords.bandcamp.com/

https://www.instagram.com/foad_records/

MALAURIU RELEASE "THE THIRD NAIL"

 


PRESS RELEASE:

Italian black metal act MALAURIU will release their third full-length album, “The Third Nail”, on April 3rd, 2026 through Adirondack Black Mass.

The record represents a bold evolution for the band, merging the raw intensity of black metal with a punk-infused aggression, while showcasing meticulous attention to detail in a warm, organic production that brings out the full depth of the compositions.

The first single "Empowerment Rites" is now available HERE.


Recorded between Italy and the UK from 2024 to 2025, “The Third Nail” is the result of over a decade of dedication to the rawest and most primitive essence of black metal. The album features eight original tracks alongside a ferocious cover of GG Allin, which further highlights the band’s punk attitude and includes guest appearances by Dr. Heathen Scum (Mentors, USA) and Diego Do'Urden (Mystifier).

The album’s artwork draws on Sicilian traditions where the sacred and the profane collide, from blood-stained processions to brutal reenactments of the Crucifixion, creating a ritualistic atmosphere where faith is intertwined with horror, gore, and the occult.

Mixing was handled by Carlo Altobelli at Toxic Basement Studio (Italy), a recognized figure in extreme underground production, while mastering was completed at Necromorbus Studio (Sweden), famed for work with acts like Mayhem, Watain, Funeral Mist, and Shining.

Now based in London, UK, with a solid live lineup, MALAURIU will bring “The Third Nail” to stages across Europe in 2026, delivering a live experience that amplifies the album’s dark intensity and ritualistic energy.


Tracklist:

1 Rising From The Cemetery

2 Empowerment Rites

3 Death Celebration

4 Hell Mouth

5 Satanic Witch

6 The Curse of All Flesh

7 Purple Ceremony

8 Monotheistic Filth

9 Abuse Myself, I Wanna Die (GG Allin cover)


Preorder:

https://adirondackblackmass.bandcamp.com/album/the-third-nail


Biography:

Founded in 2013 by Schizoid, MALAURIU emerged from Sicily as a project deeply rooted in folklore, mysticism, and the occult. Over the years, the band evolved from a pure black metal project into a constantly shifting entity, exploring dark ambient, ritual, noise, and punk, while maintaining a consistent spiritual intensity.

Sicily’s dark, evocative landscapes - ancient temples, legends of monsters, and sites connected to Aleister Crowley’s Abbey of Thelema - have profoundly influenced the band’s vision. With over 20 releases in the past decade, MALAURIU has steadily built a reputation for uncompromising music, blending extreme aggression with atmospheric depth, offering listeners a journey into the darker corners of the mind and soul.


Line-up:

Schizoid - Guitars

R.M. - Vocals


Session musicians:

Black Doom - Bass

Frozen - Drums

Felis Catus - Keyboards/Samples

Marbas - Keyboards

G.T. - Guitar solos on tracks 2, 5 and 9


Very special guest:

Diego DoUrden (Mystifier/Evoked) - Vocals on track 9

Dr. Heathen Scum (Mentors) - Vocals on track 9


“Abuse Myself, I Wanna Die” originally recorded by GG Allin


Recorded between Sicily and the UK 2024/2025

Mixed by Carlo Altobelli at Toxic Basement Studio (Italy)

Mastered by Tore Stjerna at Necromorbus Studio (Sweden)


MALAURIU

https://malauriu.bandcamp.com/

https://www.instagram.com/malauriu/

https://www.facebook.com/malauriuofficial


Adirondack Black Mass

https://adirondackblackmass.bandcamp.com/

https://adirondackblackmass.bigcartel.com/

https://www.instagram.com/adirondackblackmass/

lunes, 2 de febrero de 2026

CAERRIAN RELEASE DEBUT SINGLE: "FATHOMLESS RUIN"

 


PRESS RELEASE:

Vancouver progressive melodic death metal band Caerrian has unleashed their debut single, “Fathomless Ruin”, a fiercely dynamic track that stands as a definitive introduction to the band’s evolving sound. Sweeping, cinematic, and steeped in Viking‑inspired atmosphere, the single offers the first glimpse into Caerrian’s forthcoming EP, slated for release in spring 2026.

"We wanted to launch this project, and ‘Fathomless Ruin’ was the obvious pick,” adds lead guitarist and primary songwriter Ken Rothe.

“Fathomless Ruin” began as a forgotten riff idea nearly eight years ago, resurrected when Caerrian emerged from the ashes of their previous project, Warrborn. As Rothe’s playing evolved, the song transformed, with new transitions, new moods, and a new narrative direction.

​Originally imagined with a “Top Gun–style” aerial theme, the track ultimately became a dark maritime saga: a Viking fleet crossing the sea to pillage, only to be annihilated by the kraken. One lone survivor washes ashore, stripped of glory and left only with the burden of the tale.

​​“It’s a song with a moral. Set out to rape, pillage, and kill, face your demise, and if you live, expect to be alone with no one, no glory, only sorrow,” says Rothe.

​Musically, the track mirrors this arc, uplifting and epic, then dark and evil, then triumphant again. The single artwork reflects this duality, merging “death from above” imagery with oceanic devastation to echo the song’s themes of hubris and consequence.

​Recommended for fans of Lamb of God, Dissection, Iron Maiden, Megadeth, and Opeth, listen to “Fathomless Ruin” at the following links:


Add to your Spotify playlist - https://open.spotify.com/track/0PjQSykqxWdlAZufqXQv1I​

YouTube - https://www.youtube.com/watch?v=VlAxEbX_sZI​


Caerrian formed after the dissolution of Warrborn, the long-running project that previously featured Rothe and guitarist Justin Gordon. As Rothe’s playing advanced during the pandemic and new members joined, the band’s sound shifted so dramatically that a complete rebirth became inevitable.

​​“We had a few songs that were OK, but lacked the technical aspects I loved. With the new sound, new members, and new direction, renaming the band was the best solution,” explains Rothe.

​Today, Caerrian’s lineup includes Ken Rothe (Guitar), Justin Gordon (Guitar), Justin Marcil (Bass), Tyler Parsons (Vocals), and Aaron Graham (Drums) (Drumeo instructor, UBC Doctorate in Percussion).

​Their sound, summed up in five words: heavy, melodic, progressive, familiar, catchy, draws influence from Lamb of God, Iron Maiden, Opeth, Megadeth, and Dream Theater. The band blends technical riffs, massive tones, progressive structures, and melodic solos that serve the song rather than simply shred for spectacle.

​​Caerrian’s songwriting process is meticulous and collaborative. Riffs are brought into the DAW or rehearsal space, expanded upon, rearranged, and refined until the structure reveals itself. Whispered placeholder vocals guide the eventual lyrical layout, which Rothe and Gordon finalize before handing them to their vocalist.

​Lyrics explore themes of power struggles, manipulation, societal fractures, government overreach, and the psychological toll of modern life, often wrapped in metaphorical narratives like Viking sagas or icy mountain ascents. Early on, the band collaborated with Chris Dyck (formerly of Anciients), who helped shape their thematic approach.

Caerrian’s upcoming EP, recorded at Rain City Recorders with Matt Roach, promises a powerful blend of crushing guitar tones, progressive arrangements, melodic and mood‑driven solos, and atmospheric passages reminiscent of Opeth, all wrapped in themes of control, defeat, manipulation, and awakening. On stage, the band strives to mirror that same precision and intensity, delivering big, articulate guitar tones, tight harmonies, technical passages to captivate the musicians in the crowd, and heavy, chug‑ready riffs for the headbangers. Above all, Caerrian’s mission is to make people feel something, emotionally, physically, and intellectually.


More Info: https://linktr.ee/caerrian

TARLUNG RELEASE "AXIS MUNDI"

 


PRESS RELEASE:

Band: TARLUNG

Album: Axis Mundi

Release Date: January 30, 2026

Country: Austria

Genre: Sludge Doom

Label: Argonauta Records


TARLUNG is a doom / sludge power trio from Vienna, Austria. Since 2013, TARLUNG stand for a thick and colossal sound: Two low-tuned guitars, a hard-hitting drum-set and brutal vocals create an earth-shattering live sound and mesmerizing records.

TARLUNG was formed in late 2013. After just 6 months the band recorded their self-titled album at DeepDeepPressure Studios and released it before playing a single live show. A series of gigs in Austria and Germany followed, with bands like Saturnalia Temple, EyeHateGod, Arabrot, Suma and Conan.

In 2016 TARLUNG hit the DeepDeepPressure Studios again to record the "Void" EP and the follow up full length album "Beyond the Black Pyramid" in a three-day session. "Void" was released on tape in October 2016.

In 2017 TARLUNG had their first festival appearance at United We Stand, along with other gigs in Germany and Austria. The second full length "Beyond the Black Pyramid" was released in May, with the support of Black Bow Records (Jon Paul Davis of Conan). The cover art was created by Alex Eckman-Lawn.

2018 brought touring through the Czech Republic, Hungary and Poland with Throne from Italy, including the Stoner Doom Festival in Katowice.

2019/20 were focused on writing new material for the upcoming third album. Two releases followed in 2021: A split EP with heavy noise rock heroes KRPL from Graz, and the new full-length album, "Architect". The response to "Architect" was overwhelmingly positive, which included making it into the Doom Charts as #12 of June 2021. One of the highlights of a Covid hampered 2021 was co-headlining the first night of the Doom Over Vienna Festival.

Since 2022, TARLUNG worked on the new material for the new full-length album “Axis Mundi”. In 2023, they toured Germany, Austria, Poland, Hungary, Czechia and Slovenia with their friends Mares of Thrace from Canada for two weeks. “Axis Mundi” was recorded in 2025, again at DeepDeepPressure Studios, and again featuring artwork by Alex Eckman-Lawn. It will be released January 30, 2026 by Argonauta Records, on Vinyl, CD, and on digital platforms.


For Fans of:

EyeHateGod, Crowbar, Weedeater, Iron Monkey, Dopethrone, Thou, Grime


Discography:

TarLung – Tarlung, 2014

TarLung – Void EP, 2016

TarLung – Beyond the black Pyramid, 2017

TarLung / KRPL – Split EP, 2021

TarLung – Architect, 2021

TarLung – Axis Mundi, 2026


Axis Mundi Tracklist:

Static Noise

The Valley of Nowhere

Burning Out

Sea of drowned Souls

Swans

Full Circle

Between Earth and Moon

Axis Mundi


For more info:

https://www.facebook.com/tarlungband

https://tarlung.bandcamp.com/

https://www.instagram.com/tarlung_band/

https://www.facebook.com/ArgonautaRecords


domingo, 1 de febrero de 2026

KRATEROS RELEASE "LOST IN TRANSLATION"

 


PRESS RELEASE:

The Finnish progressive thrash metal band Krateros released their debut EP 'Lost in Translation' on January 30th 2026 via Inverse Records.


LISTEN to Lost in Translation on streaming services: 

https://push.fm/fl/krateros-ep 


“Lost in Translation” is the debut release that has been a long time in the making and will finally see the light of day through Inverse Records. Self-produced by the band, the EP showcases the variety of the band’s expression — from the all-out aggressive thrash of “Uticensis” to the introspective and progressive “Comatose Waltz.” Even while drawing influence from all types of music, “Lost in Translation” manages to make a cohesive statement, held together by an undying love for strong riffs and creative arrangements. The band is unbothered by current trends and will continue to write music the only way they know how — intuitively and for themselves!


Krateros is an emerging metal band from Helsinki, Finland, founded in 2023 and led by vocalist/guitarist and main songwriter Saku Rekonen. The band’s music combines influences from old-school thrash metal bands such as Annihilator, Exodus, and Megadeth with more contemporary acts like Trivium, Machine Head, and Stam1na — all the while being filtered through a progressive lens.

The band’s first EP, “Lost in Translation,” released through Inverse Records, is a response to a perceived lack of riffs that seems to plague the metal scene of the 2020s.

­

Krateros - Lost in Translation (EP 2026)

 

Track list:

1. Tomb Service

2. Linguicide

3. The Performer

4. Uticensis

5. Comatose Waltz


Cover art by All4band Design


Line-up:

Saku Rekonen - Vocals & Guitar

Roni Helminen - Bass & Backing vocals

Touko Kaihola - Drums

Jódís Rannveigardóttir - Backing vocals on Uticensis

 

Links: 

https://www.facebook.com/kraterosband

https://www.instagram.com/krateros_official

https://krateros.bandcamp.com 

HEXJAKT RELEASE NEW SINGLE: "MONOLITH"

 


PRESS RELEASE:

Hexjakt Unleashes Crushing New Single “Monolith” – Out Now!

Pre-save / Stream here: https://hexjakt.ffm.to/monolith


Westmanland, Sweden – Rising from the shadows of Scandinavia’s doom underground, Swedish doom/stoner metal band Hexjakt has unleashed their colossal new single “Monolith”, now available on all major streaming platforms. Taken from the band’s forthcoming debut full-length, the track cements Hexjakt as one of the genre’s most promising new voices.

Forged in 2024, Hexjakt crafts heavy, atmospheric doom steeped in crushing riffs, haunting textures, and introspective weight. Rooted in the traditions of Black Sabbath, Electric Wizard, and Conan, their sound balances classic doom foundations with a bleak, modern edge. Lyrically, Monolith delves into themes of the occult, human fragility, and the vast unknown, exploring despair, mystery, and transcendence.

Their debut EP drew widespread acclaim from both fans and critics, hailed for its depth, intensity, and immersive atmosphere. On stage, Hexjakt’s towering wall of sound and commanding presence has left audiences shaken, delivering performances that linger long after the amps go silent.

With Monolith, the band pushes further into the abyss, delivering a slow, relentless, and emotionally charged statement of doom.


Release Information:

Artist: Hexjakt

Title: Monolith


Release Date: Out Now – October 1, 2025

Genre: Doom / Stoner Metal

For Fans Of: Black Sabbath, Electric Wizard, Conan

Label: Independent / Majestic Mountain Records / Burning Skull Records

Production: Mixed & Mastered by Studio Underjord


Follow the band at these links:

https://hexjaktband.com/

https://facebook.com/hexjaktband

https://instagram.com/hexjaktband

https://www.youtube.com/@hexjaktband

https://hexjakt.bandcamp.com/

https://open.spotify.com/artist/2HgMgKzgLwCZjdMA7iyfyU

sábado, 31 de enero de 2026

VAULDERIE RELEASE "SANGUINOCTUM"

 


PRESS RELEASE:

VAULDERIE

Sanguinoctum

Witches Brew

27 January 2026


VAULDERIE unleashes an unrelenting storm of occult black thrash with their latest album, Sanguinoctum. Released on January 27, 2026, through the esteemed Witches Brew, this ferocious full-length offering plunges listeners deep into the dark abyss, where vampiric menace and raw, visceral energy reign supreme. With eleven tracks of uncompromising extremity, Sanguinoctum defies modern polish, embracing a raw and authentic atmosphere that embodies the spirit of the underground metal scene.

From the haunting invocation that opens “The Invocation” to the chilling finale of “Among the Aeries,” VAULDERIE delivers a relentless auditory assault infused with the venom of classic black metal and the savagery of thrash. Riffs cut through the darkness with brutal precision, while guttural vocals rise from the crypt, creating a mood of pure nocturnal hostility. This is music crafted for candlelit basements and scorched earth stages, where the only expectation is raw power and ferocity.

Standout tracks such as “Calling the Blood,” “Nocturnal Hound,” and “Flight of the Gargoyles” exemplify VAULDERIE’s mastery of balancing speed and atmosphere without sacrificing their primal edge. The album feels ritualistic, violent, and deliberate— a true testament to the band’s commitment to authenticity. In a world of fleeting trends, VAULDERIE takes no shortcuts, delivering a sound that is unapologetically dangerous.


For fans of:

- Raw black thrash

- Underground extremity

- Metal that still sounds dangerous


About VAULDERIE:

Hailing from the depths of Germany’s underground metal scene, VAULDERIE has carved out a niche for themselves with their unique blend of black and thrash metal. With a sound that is both haunting and aggressive, they have quickly gained a reputation for their intense live performances and their dedication to the darker aspects of metal music.


Follow VAULDERIE:

Apple Music: Witches Brew  https://witchesbrew.eu/en

Facebook: https://www.facebook.com/people/Vaulderie/100077739470816/

Instagram: https://www.instagram.com/vaulderieofficial/

Bandcamp: https://vaulderie.bandcamp.com/album/sanguinoctum

AMENSPEAR RELEASE "EGO´S CARRION"

 


PRESS RELEASE:

Band: Amenspear

Album: Ego's Carrion

Release Date: January 30, 2026

Country: USA

Genre: Black Metal


In early 2026, the New York-based black/death metal project Amenspear (led by sole member, Steve Vathis) plans on releasing the “Ego’s Carrion” EP. Over three tracks, Amenspear pays tribute to its old school death metal heroes like Death, Morbid Angel, and Dismember. This combined with Amenspear’s previous black metal influences and unique sense of melody and song structure leads to a crushing and epic death metal journey. And the lyrics lend themselves well to that journey, with the songs describing a loosely conceptual tale of a man falling into the abyss of the occult and his own dark urges and struggling to get free of them and turn towards the light. Stay updated on Amenspear’s Instagram page (https://www.instagram.com/amenspearband) for more information as the release date gets closer!

Ego´s Carrion tracklist:

1.His Apparition 04:57

2.Follow The Rats 06:21

3.Ego's Carrion 07:16

https://amenspear.bandcamp.com/music

viernes, 30 de enero de 2026

MALEFIC RELEASE "IMPERMANENCE"

 


PRESS RELEASE:

Malefic

Impermanence

Terminus Hate City

13 February 2026


Atlanta blackened thrash visionaries MALEFIC are set to unleash their debut album, Impermanence, via Terminus Hate City on February 13, 2026. The band initially began work on the album in 2018, and conquered numerous personal and professional challenges on the road to completing their masterpiece. Drawing influence from black, death, and thrash metal, the diverse array of songs wrestles with themes such as politics, drug use, existentialism, perseverance, and the lasting consequences of one’s choices. Impermanence represents the culmination of many years of hard work and dedication, along with a deep love for music beyond strict genre boundaries.

The album opens with “Blood Of The Throne”, a storm of blistering blackened thrash metal. Precise guitar work, furious drumming, and vicious vocals dominate the soundscape, drawing the listener into a world where an oppressive economic system chews people up and spits them out. Unrelenting from the first note to the last, the song presents a venomous warning about the state of global affairs.

“In Darkest Dreams” showcases the MALEFIC’s death metal influences while retaining undertones of blackened thrash. Notably, it is one of the only songs on the album with a defined chorus, but still relies on a progressive rock-inspired structure. The band shifts their focus from reality to fantasy in this song, with lyrics telling a horror story about a deathly reaper figure.

“Of Gods And Man” marks a change of pace from the first two songs. It showcases MALEFIC’s melodic black metal influences, with a sense of urgency to the riffs and prominent bass lines. Intricate picking patterns intertwine with dueling guitar solos, as vocalist Aaron Baumoel spins a tale about greed, consumerism, and instant gratification. The song deals with the human relationship to a creator figure, and the existentialism that frequently pervades this relationship.

“Idiocracy” changes up the dynamics even further by introducing a black-n-roll sound. Catchy triplet riffing and epic arpeggios make it a memorable standout on the album. The lyrical themes return to the political and philosophical issues that are prevalent in modern society, arguing that many are unaware of their own ignorance, although they may attempt to call out others.

“Deserter” reintroduces a more prominent death metal sound. Ominous drums flow into groovy riffs and intricate solos, leading up to a barrage of thrash riffs. Call-and-response harsh vocals emerge out of the darkness, voicing feelings of abandonment and suicidal ideation. Syncopated drum beats and bass lines relentlessly carry the momentum onward.

“Disembodiment” opens with a haunting acoustic introduction, unlike any of the previous tracks on the album. The brutal, dueling harmonies in the chorus create the album’s emotional high point, as the lyrics warn of the dangers of narcissism, gaslighting, and emotional manipulation. Musically and lyrically, the song paints a path to despair that is, ironically, paved with beauty along the way.

Melodic and grandiose, “Obsidian Earth” is the album’s magnum opus. Unrelentingly aggressive, yet melodic and grandiose, the song takes the listener through a barrage of black metal riffs and blasting, melodic hooks, finally landing on an epic solo by Jason Davila. The song laments an impending, self-inflicted extinction of humanity, with a vocal performance marked by disquieting rage.

The most progressive song on the album, “Echoes Of Silence” boasts an ominous acoustic introduction. A variety of melodies expertly intertwine with one another, deftly carrying over from one section to the next. Chaotic black metal riffs drive forward a narrative about the dual nature of addiction, dispersed with heavy chords and cries of desperation. A cathartic guitar solo finally breaks the tension, and the lyrics of the last chorus serve as a reminder of life’s fragility.

The album finally drops off into the blackened abyss with “It Haunts”, pummeling the listener with charging riffs and fierce vocals. While intricate harmonies and guitar work weave themselves throughout the song, the epic guitar solo commands rapt attention. Mysterious lyrics describe a supernatural haunting, and are fittingly closed out by ghostly, magnificent acoustic arpeggios.


About MALEFIC:

MALEFIC roared onto the Atlanta metal scene in 2007 with ambitions to modernize the black metal genre. With their tight riffs, tasty leads, and relatable lyricism, MALEFIC abandons cliches and defies traditional genre boundaries. Their special blend of black metal, drawing from thrash and death metal influences, appeals to metalheads across subgenres. They count OLD MAN'S CHILD, CARCASS, TESTAMENT, DISSECTION, and OPETH among their most prominent influences, offering a fresh, modern take on metal that is unrivaled in the United States.

Though they are set to release their very first full-length album, Impermanence, in 2025, MALEFIC boasts an impressive live performance history, having played shows with notable bands such as 1349, CRYPTA, and PROFANATICA. After a hiatus in 2009, the band eagerly picked back up where they left off and reformed with a new lineup. MALEFIC initially began work on Impermanence in 2018, taking their time to ensure that every detail accurately reflected their vision for their album. The band's hard work and dedication has culminated in a powerful debut, lovingly crafted by fans of nuanced, boundary-pushing music. 


MALEFIC lineup:

Jason Davila - Guitar

Aaron Baumoel - Drums, Vocals

Sam Williams - Guitar

Andy McGraw - Bass


https://www.facebook.com/MaleficBandATL

https://www.instagram.com/maleficbandatl/

https://malefic.bandcamp.com/music