lunes, 26 de enero de 2026

THE JOTUNN RELEASE NEW SINGLE: "THE DEPARTURE"

 


PRESS RELEASE:

Melodic deathcore band THE JOTUNN have released their newest single, “The Departure,” the final track on the upcoming physical edition of their album Summoner, out this Friday. The song serves as both a closing statement for this chapter of the band and a powerful step toward what comes next.

Originally introduced as a three-song release, Summoner Part I established the foundation of the band’s current era. The physical edition expands the album with Part II, which includes “Blood Flower,” the band’s cover of “Suicide Nation,” and now the intense and cinematic closer, “The Departure.”

The track was recorded in Michigan with producer Josh Wickman, known for his work with WITHIN THE RUINS, KING 810 and WAKING THE CADAVER. The result is a sharpened and fully realized version of THE JOTUNN’s sound, combining punishing heaviness with dark melody and atmosphere. The song highlights a band that has refined its identity and emerged stronger than ever.


An official video for “The Departure” was filmed by Tom Stumpf, who also worked on the band’s previous two records. The visual continues THE JOTUNN’s tradition of pairing their music with unsettling and cinematic imagery that deepens the emotional impact of their work.


https://www.youtube.com/watch?v=mAoozDWc9aQ


Lyrically, “The Departure” explores the disturbed mind of Ed Gein, focusing on psychological horror and mental unraveling rather than glorification. The band uses the story as a narrative lens to examine darkness, instability, and inner torment, matching the song’s intense and oppressive atmosphere.

With this release, THE JOTUNN bring the Summoner era to a powerful close while signaling a new beginning. “The Departure” represents the band at its most focused and evolved, offering a glimpse of an even heavier and more ambitious future.


About THE JOTUNN:

Based out of Cleveland and Columbus Ohio, THE JOTUNN formed in 2021 after guitarist and songwriter Shawn Kahan presented a number of demos to Paul Kahan. Soon producer Cole Martinez (ABIGAIL WILLIAMS, WHITECHAPEL, ABORTED) was on board taking up the role of bassist and producer of their music. Nick Amato (ATOMIC WITCH) performed drums on the band's debut album Graveworshipper (2022), prior to Adam Biats joining the line-up. The outfit was awarded the Columbus Artist Grant in 2023, and subsequently in 2025. THE JOTUNN's EP Summoner arrived in 2024, and is set to be followed in 2025 by two cover releases and a new original track. Cole left the band in June 2025 on good terms, leading to the arrival of Leo Debevc on guitar and Londyn Hager on bass. 


THE JOTUNN is:

Paul Kahan - Vocals

Shawn Kahan - Guitar

Leo Debevc - Guitar

Londyn Snow - Bass

Adam Biats - Drums


Links:

Streaming links: www.thejotunn.com

Bandcamp: https://jotunn.bandcamp.com/

Facebook: https://www.facebook.com/TheJotunnBand/

Instagram: https://www.instagram.com/thejotunnband/


Credits: 

Recording Studio: Dreadcore Productions

Produced, Engineered, Mixed and Mastered: Josh Wickman

Drum Pre-Production: Nick Hawkins

Lyrics, Song and Performance by The Jötunn

PROFANE ELEGY RELEASE "HEREZJARCHA"

 


PRESS RELEASE:

Profane Elegy

Herezjarcha

30 January 2026


Herezjarcha, the upcoming album from black metal outfit PROFANE ELEGY, is a harrowing, philosophical descent into sound and symbolism. Due for independent release on January 30th, 2026, Herezjarcha follows the band’s 2023 debut When All Is Nothing—an album that was praised for its blending of blackened fury and doom-laden atmosphere. With Herezjarcha, PROFANE ELEGY expands every element of their vision: heavier, more dynamic, more refined, and deeply introspective. It is a record built on contrasts—between the cosmic and the personal, defiance and decay, melody and obliteration.

The new album opens with "Exeunt Omnes", Latin for “all go out,” a phrase drawn from Shakespeare’s Richard III. The track sets the tone both musically and thematically: rich in orchestration, shifting between tragedy and violence, it meditates on fate and the cost of holding on to life in a world already retreating from you. From there, the listener is dropped into "Haunted", a tightly wound storm of existential dread. With mournful riffs and oppressive atmospheres, the song captures the terrifying clarity that comes from realizing your own mortality—how ignorance truly is bliss until that moment of awakening.

By contrast, "I AM" is anthemic in its defiance. The title, drawn from the book of Exodus, takes the phrase spoken by God—“I am that I am”—and transforms it into a proclamation of human rebellion. Blistering and furious, it's among the most direct and aggressive moments on the record. It’s followed by "As My Heart Turns to Ash", a doom-laden lament about emotional detachment and personal collapse. The instrumentation slows, opens up, and lets sorrow breathe. Here, the clean vocal passages begin to appear—haunting and human.

On "Immutable", the band turns philosophical. Lyrically, the song explores the inescapable traits and traumas we are born into. There is no comfort here—only a cold recognition of inherited darkness. Musically, it’s dynamic and shifting, a dance between melody and chaos. "And Then We Are Gone" takes this further, slowing to a funeral march and carried almost entirely by clean singing and droning instrumentation. It’s a stark meditation on impermanence—how everything we build can vanish in a heartbeat, and the world will carry on without pause.

The title track, "Herezjarcha", is the centerpiece—a sprawling, conceptual narrative about a man transformed by his own heresy. In visions and madness, he births a new ideology, becoming one with darkness in pursuit of hidden truths. It's as much spiritual journey as musical composition, with cinematic orchestration, shifting movements, and whispered incantations. And then, as the final nail, "The Accuser" closes the album with scorching intensity. Drawing from the Biblical role of Satan as prosecutor, the song is both indictment and rejection—placing judgment not on the damned, but on those who claim righteousness. It’s the moment the band fully embraces symbolic damnation and burns the sacred in fire.

Produced by J Gulick and mastered/mixed by Kevin Antreassian (Backroom Studios), Herezjarcha is more than an album—it’s a statement. It rejects genre purity in favor of vision. It fuses the atmospheric elements of black metal with the weight of doom, the precision of death metal, and the unexpected textures of orchestration and clean vocals. But above all, it is lyrically rich, thematic, and spiritually challenging.

Herezjarcha embodies an oath against complacency, a testament of defiance, and a new scripture of darkness. For fans of MAYHEM, WOODS OF YPRES, SWALLOW THE SUN, and EMPEREOR, this is not just an album. This is a new heresy.


About PROFANE ELEGY

PROFANE ELEGY is a black metal band from Bangor, Pennsylvania, formed in late 2021 by guitarist J Gulick and vocalist Mikael L. Originally conceived as a two-man studio project, the band quickly evolved into a full lineup with the addition of bassist David G and drummer Sean M in 2023. What sets PROFANE ELEGY apart is their refusal to remain confined within genre boundaries—while rooted firmly in black metal, their sound incorporates elements of death, doom, and progressive metal, often enhanced by orchestral arrangements and clean vocals.

The band’s debut album When All Is Nothing (2023) was released independently and drew attention for its blend of atmospheric aggression and emotional vulnerability. The release earned praise for its ability to move fluidly between blistering speed and melancholic melody, with Doom Heart calling it “a massive Doom delight.” Following the album’s release, PROFANE ELEGY made their live debut and began performing across the northeastern United States, including a notable support slot for Dark Funeral in late 2024.

Lyrically, the band explores themes of nihilism, mortality, philosophy, and religious symbolism—often invoking figures like Satan not as dogmatic statements, but as metaphors in a broader spiritual and existential dialogue. Their work is poetic, introspective, and often challenges the listener to confront uncomfortable truths about life, death, and belief.

Their upcoming full-length album Herezjarcha, set for release in January 2026, represents the band’s most ambitious and expansive work to date. With a more dynamic sound, deeper orchestration, and a clear conceptual throughline, the record pushes their sonic and thematic boundaries further than ever before. The album title—a made-up word meaning “arch-heretic”—encapsulates the spirit of the band: rebellious, introspective, and unafraid to question the sacred.

PROFANE ELEGY continues to forge a unique path within the underground metal scene. Blending bleak intensity with philosophical weight, they aim not just to be heard—but to be felt.


PROFANE ELEGY is:

Mikael L – Vocals, Orchestration

J Gulick – Guitars, Orchestration

David G – Bass, Orchestration

Sean M – Drums


Connect with PROFANE ELEGY:

Bandcamp: https://profaneelegy.bandcamp.com/

Facebook: https://www.facebook.com/people/Profane-Elegy/100092367915270/

Instagram: https://www.instagram.com/profane_elegy/

Twitter/X: https://twitter.com/profaneelegy666

YouTube: https://youtube.com/@profaneelegy-23?si=OGKGak-ibt4gl7vK

Spotify: https://open.spotify.com/artist/68ATD5yRmlH8jtbdZQzVFy?si=4THaO3qZRQaWLZUCvS4N1Q

Apple Music: https://music.apple.com/us/artist/profane-elegy/1687009599

TikTok: https://www.tiktok.com/@profaneelegy