martes, 6 de julio de 2004

INTERVIEW WITH BENIGHTED



How has been "Insane Cephalic Production" received in the underground?

"ICP" is the third album of Benighted. It's available since last February on the label Adipocere Records and the reviews we could read are fantastic! We received lots of propositions of concerts and we could play with this album with bands like Dying Fetus, Impaled Nazarene, In Extremo, Soulfly, Fear Factory, Nasum, Slipknot... and we've done lots of interviews for mags, webzines, radios, fanzines... This album opened us several gates.

Since you are coming from different backgrounds such as black metal and death metal...how did you reach the sound that is characteristic of Benighted?

We worked for a long time to have the actual sound of Benighted, we want a sound which shall be powerful, heavy and crushing! As we recorded at the Kohlekeller studio in Germany, it helped us to find the best sound for each of our instruments.


How was the process of composing the music in "Insane Cephalic Production"?

The process of composition in Benighted is the same since the beginning. A guitarist comes with riffs and a beginning of structure for a track and we work together to make this track find its final version. It's the work of all the members which gave it's identity to the music of Benighted.

Are you satisfied with the deal with Adipocere?

Adipocere trusts in us since our first album, they always helped us to become well-known and gave the money for the recordings and the promotion. From album to album, they do more and more for us and we've got very good relations with all the team of Adipocere. We'll continue with them for the following releases.


How would you compare "Insane..." with "Psychose" or "Benighted"?

"ICP" is more direct and brutal than the other albums, the way of composition was more instinctive and the tracks are more powerful and easy to remember. These songs are the best tracks we've never composed. There's a big difference of sound too because the last album has the best production we never had before! It's our best album!

What are the lyrics in "Insane..." about?

The concept of Benighted is about psychiatric pathologies as I work in a psychiatric hospital in France. "Psychose" was about adult psychosis and persecution delirium and "ICP" is about mental madness of the child and the woman in pregnancy. All the lyrics are inspired by real facts and pathologies. I'm not talking about a fucking bad horror movie. Lots of bands talk about mental pathologies but many don't know what they're talking about.


Which is your equipment live and in studio?

In studio we're using our personal material as on stage as well. We play with guitars like Washburn or Jackson and the drummer use Pearl but as I'm just a vocalist, I can't tell you more! (laughts)


Which are your memories on your older bands such as Osgiliath and Darkness Fire?

We've got very good memories because it was for each of us the first band but when we decided to create Benighted together, we understood this band had a bigger potential. We had no time for the other bands any more and Benighted became for each of us the absolute priority!


Any final words?

I just want to thank you for this interview! I hope the people in your country will discover our music and enjoy it! I send you all our greetings from France!!! Stay brutal!!!


BENIGHTED WEBSITE: http://perso.wanadoo.fr/benighted/


lunes, 5 de julio de 2004

REVIEW: THE BLOOD DIVINE - RISE PANTHEON DREAMS

 


THE BLOOD DIVINE - RISE PANTHEON DREAMS (Peaceville Records, 2002)


Produced By: The Blood Divine


Tracks: 1- Aureole, 2- Visions in Blue, 3- As Rapture Fades, 4- Revolt, 5- Wilderness, 6- Sensual Ecstasy, 7- Enhanced By Your Touch, 8- I will Bleed, 9- The Passion Reigns, 10- Leaving Me Helpless, 11- Forever Belongs, 12- So Serene, 13- Crazy Horses (live), 14- Aureole (live)


Taken from Mystica, Awaken and unreleased tracks


This band was like a selection of musicians from the underground that created great music. Here we had ex Anathema singer Darren White, three original Cradle of Filth members (Paul Ryan, Ben Ryan and Paul Allender) and an ex member of Extreme Noise Terror (Was Sarginson on drums). The music on thsi album is a selection of tracks from both The Blood Divine albums and there are also some unreleased and demo tracks that make this album essential for any collector. Here we have this rocking and climatic music created from this twisted minds. The songs here have been mixed and the sound is better than in their original versions adding a lot of energy to the compositions (Darren White is killer here with his powerful vocals combined with a total different music from the one he used to do with Anathema. Here we have fourteen tracks of essential listening for lovers of each of the bands mentioned before and dark powerful music in general.

Favorite tracks: "Aureole", "Visions in Blue" and "I will Bleed"


Contact: www.peaceville.com

domingo, 4 de julio de 2004

INTERVIEW WITH OMNISCIENT


Interview with Leslie Hargrave (keyboards), James Hargrave (drums) and Andy Hargrave (guitars) from the brutal Omniscient

Your music is extremely brutal...can we describe it as death metal with black metal elements or is this definition too narrow for you?

That is a pretty good definition. Being called strictly black metal would definately be too narrow. We have always considered ourselves to be brutal symphonic death metal. But we have several other elements that we regularly incorporate into our music such as thrash, speed metal, classical and shred.


How has been you album received in the underground?

The reaction so far has been very good. Considering we did all our own promotion, we have been very happy with the response. Our fan base has grown from national to international fairly rapidly.


How is the process of composing an Omniscient song?

None of our songs have been written in any set pattern. Some start on keyboards, others on guitar. Once we have several riffs that we like, we put them together in the way we feel works best. The lyrics are then written according to what inspires us from the song.

What are Omniscient lyrics about?

Our lyrics are mostly in reference to the idiocy of mankind, life, death, and brillance. Some of the lyrics are so deep and metaphoric that it is hard to describe them in just a few words.


Which element is more important in Omniscient´s music: aggression, rhythms, speed?

A combination of aggression and rhythms. But our intensity and technical, powerful writing is equally important to making memorable songs.


How would you describe an Omniscient show?

Intense. Very Intense. Full of energy that you dont get from just listening to the cd. A certain mixture of brutality and melody thats critical to Omniscient's message.


Which is the band´s live and studio equipment?

Andy uses Jackson guitars and Crate amps and speakers.

Steve uses Kramer and BC Rich guitars, and Peavey amps and speakers.

David uses Jackson professional basses, Carvin amps and speakers, and Shure wireless systems.

Bob uses Shure mics.

Leslie uses Korg keyboards.

James uses Tama rockstar drumset and Vic Firth drum sticks.


Which are the band´s main influences?

Jason Becker, Limbonic Art, Hirojoshi, Emperor, Chopin, Myrkskog, Old Mans Child, classical composers, Kitaro, Vangelis, and Dimmu Borgir.


Any final words?

The Omniscient has been unleashed.


OMNISCIENT´S WEB SITE: www.omniscientgods.com

sábado, 3 de julio de 2004

REVIEW: THE ALL ANGELS CONCERT 1999-2001

 


THE ALL ANGELS CONCERT 1999-2001 (Emanem Disc, 2002)


Compiled by: Rhodri Davies and Mark Wastell


Tracks:

CD 1: 1- J´allume La Lumiére, 2- Your Guess is as Good as Mine, 3- Unquiet Night in Turnham Green, 4- Meteor of Birds, 5- Hardy Annuals Nº1 (Delphinium Consolida)

CD 2: 1- a) Knife, b) Fork, c) Spoon, 2- M&S At St Michel, 3- On the Point of a Needle, 4- Hommage, 5- Even Angels Die


Recorded by Tim Fletcher


The musical pieces contained on this 2 cd set were recorded in different concerts that were played in the St. Michael & All Angels Church, a place with incredible acoustic and resonance as one can listen on the music here. And here we have great musicians doing improvisations with total spontaneity. Some of the artists that played on this concerts have been reviewed by us before like for example John Butcher, Steve Beresfor, Roger Turner and Veryan Weston whose musical quality has been remarked in previews review. Also we have some surprises here that I would like to point out. First is Fabienne Audéoud who is doing the first track of this recording using only amazing vocals showing the incredible vocal range and technique that this artist has. Then Simon Vincent whose work I didn´t know until now. He plays electronics on the track "Hommage" adding special sounds to this concert series. And the grand finale is Veryan Weston playing the church organ with free imagination and extremely open mind (as ll his musical pieces are). One of the best experimental releases of all time.

Favorite tracks: A must


Contact: www.emanemdisc.com

viernes, 2 de julio de 2004

INTERVIEW WITH OPHIS


Interview with Philipp Kruppa, Ophis´ brain:


How was Ophis originally conceived?

Ophis wasn´t concieved really. I found myself writing material for Rain Of Ashes, that didn´t really fit to the style of that band, since it turned out to be more sinister and slow, Doom Metal style. I thought the material was pretty good, so I decided to create a project for it. I had always a deep feeling towards Doom Metal, ever since I hear Metal in general, so it´s no wonder that I felt Doom Metal the best way to express my emotions and thoughts. Thrash Metal is good for letting out aggressions, but Doom Metal goes deeper to the core of your negative emotions.


Which is the main ingredient in Ophis music: aggression, slow tempos or dark atmospheres?

That´s hard to say, because all these ingredients are very important to the Ophis-Style. If I had to decide, I'd chose the dark atmosphere, because without it (or even with a happy mood), Ophis is unconsiderable to me. The

aggression comes automatically, but it could be missing, as long as the song is dark and depressing. I mean, think of the "Breavement" pieces, they are´nt brutal at all, but still transport the atmosphere. Slow tempos are the best way to express this atmosphere in my opinion, but that won´t stop us from doing some fast parts once in a while, when it fits to the mood of the song.

Why did Ophis split up in 2001?

That had simple reasons. Our second guitar player Fred left the band, because he joined Rain Of Ashes, my other band, but had no time left to perform in both groups. He had no input to the songs anyway, but we were rehearsing in his garage at that time, so we lost our rehearsal room too. I wasn´t pleased with the remaining line-up combination anyway and we didn´t even manage to do some fucking gigs, so I decided to put Ophis to a rest for some time. I think we didn´t put enough energy into this band back then. Our drummer then joined Anguished because we could not find an able bass player, and after a long rest, I decided to resurrect Ophis all on my own in late 2002. Then I recorded "Empty, Silent And cold" all by myself. 


How did you decide to take care of all the instruments on your own for the recording?

When I made the very first Ophis recordings in the year 2000 (which never were released), I was still in an experimental phase and had no other musicians, so I did the first tests all on my own on a small 4-track recorder. I´m mainly a drummer, but I also wanted to test my guitar skills.

After the first Ophis line-up had split, I knew from my early experiences, that I was able to make a record all on my own. I had absolved an education as sound assistant, so I knew about the technical stuff, and it was no problem at all. Also, as I told, I wasn´t pleased with how things had turned out with the first line-up, so now I was able to put things up as I had imagined them. I felt enough motivation to push Ophis forward. I wanted to do something on my own to avoid frustrations and to express what I felt. I think that was important for me, although it´s much more fun now that Ophis is a band again.


Which is the concept behind Ophis lyrics?

Well, maybe "concept" is a too strict word, because there is no definite topic the lyrics cling to, but still, most of them deal with my personal disappointments in life, especially those caused by other people and/or myself. They are about inter-personal relationships that failed, about situations that hurt me and about people I lost. I never write about these situations directly, but I try to find metaphors and images for them, so that the listener, who might have experienced something familiar but still something different can identify with the song. Also, I try to express the inner pain I feel with the lyrics. I used to be a very depressive person in my teenage days, and nowadays I´m still oftimes sick of how people generally handle each other. I sometimes feel really misplaced in this world, so I express this within the songs. "Sledgehammer Assfuck" for example is about this situation: someone you love says something to you, just a word maybe, harmless in his or her ears, but it crusches your world to pieces. Just a little gesture maybe, but it shows you, that your thought about this person were just an illusion, and all crumbles to pieces.

How did you find your new bandmates for Ophis? Are you rewriting the old material to record it with the new lineup?

No, we are not rewriting the old stuff. Of course we changed some details in the arrangement here and there, but the songs stayed that way. We all thought the old stuff is great the way it is, and didn´t need an overhaul. Richard, our drummer changed some drumlines too, but we didn´t add new riffs or something. It wasn´t difficult to find a new line-up, because the line-up found me, haha. Richard was our drummer in the first Ophis line-up too, so when he listened "Empty, Silent And Cold", he was keen on a reunion. It was his idea to make Ophis a full band again, since I wanted to do everything alone at first. Of course I agreed, because he was always the best part in the old line-up. So he and myself are the only remains from the old line-up. Jan, our guitarist was a friend of mine who hadn´t played in a band for a long time, and as I told him that I was thinking about reforming

Ophis, he wanted to join us. As in the first line-up, I took over the vocals and the first guitar, because I wanted to do something different than drumming and since I write most of the material, it´s better that way. For bass, I asked our actual Rain Of Ashes bass player Chrille, because I knew that he had a preference for Doom Metal as well, so he joined. Shitty thing is that he left the band last week because of the often recited "musical differences", it´s not technical enough for him. But we have a new one in sight, I think it will work out well. Our plans for the near future won´t be delayed, I think.


How do you combine your work with Ophis with the one in your band Rain of Ashes?

That´s not too difficult, because Rain Of Ashes aren´t as active anymore as they were in the past. Sometimes it´s making me pretty busy, but yet Ophis isn´t big enough to harm Rain Of Ashes. Both bands play live as often as possible, but not every week or such, so it´s no coordination problem.

Richard still plays in Anguished as well, that´s far more difficult for him. As far as the songwriting goes, it's no problem either because in Rain Of Ashes, our guitarist there writes most of the music, so I can focus on writing stuff for Ophis.


Do you have plans for Ophis in the near future?

Yeah, becoming the most famous Rockstars of the world and earn so much money, that we can buy the fucking White House, haha. No, of course we shit on money. Seriously we are planning to enter a studio in late September and to record a new promo with three or four songs for open sale and for contacting record labels. We are hoping to get the ability of recording a full length album some time. After these recording sessions, we hope to make a small tour through Germany with Wytchcraft and Tortured Spirit, but this won´t be before November, so let´s see about that.


Any final words?

Yes, I want to ask everyone to boycot Nu Metal shit-crap, because it commercializes and infests the force and the spirit of any real Metal in the world. Beat them Motherfuckers up wherever you meat them. Let them celebrate their own shit and stay away from real Metal. Metal is religion!

I wanna thank everyone who supported Ophis this far and everyone who will in the future. Greetings to al ye South American Metalheads out there, stay the way you are and keep it moshing. To you, Federico, tanks a lot for the interview, it´s been an honoiur to us and it was fun too. Check out our website www.ophis.net

If you are interested in CDs and infos, just contact me under

rain-of-ashes@gmx.de

Stay Doom, thanks from Ophis!


OPHIS WEBSITE: www.ophis.net

jueves, 1 de julio de 2004

REVIEW: THE BEAST - FIXED BY THE DEVIL

 


THE BEAST - FIXED BY THE DEVIL (Painkiller Recs., 2002)


Produced By: Nornagest


Tracks: 1- Enter, 2- Fixed By the Devil, 3- Black Ritual, 4- Devil Pig, 5- Satanic Dominion, 6- Leave


Cover Art by Chris Moyen


Here we have this band that is a side project from Enthroned member Nornagest. This black metal beast is joined by Headfukker on drums (that has been replaced by Levithmong) in order to create this MCD of primitive black metal in its rawest form. The sound of this recording reminded me of early Beherit or early Mayhem (demos) where the drums are in the background and the guitars are in the front with a raw sound. The vocals are guttural and typical of early days black metal. Everything here is designed to give the listener the rawest type possible of black metal and with an old european feeling that fits really well this band. Maybe with a little bit better sound the results can be more effective. This album includes a cover of "Devil Pig" from classical band Von. Black metal lovers will like this one, specially those who loved Beherit, old Immortal and early Mayhem.

Favorite tracks: "Black Ritual" and "Satanic Dominion"


Contact: www.painkiller-records.com

miércoles, 30 de junio de 2004

REVIEW: THALARION - TIMES OF DESPONDENCY

 


THALARION - TIMES OF DESPONDENCY (Mighty Music, 2002)


Produced By: Roman Slavik and Thalarion


Tracks: 1- 911...As the War Raged, 2- My Bitter Overstrain, 3- Tunes of Despondency, 4- A Tatrastream Romance, 5- Tatyana, 6- My Weakness, 7- Confined, 8- The Endless Cacophony, 9- Fly Away


Cover Art by Jacek Wisniewski

Recorded at Exponent Studio


This wonderful band comes directly from Slovakia and they have composed nine tracks of incredible beauty while at the same time they deliver savage riffs and black metal vocals. One of the main elements here are the keyboards that create the artmospheres that are essential to Thalarion´s music and orchestrates each of the compositions while contrasting with the fast guitars and the heavy drumming. It is really interesting the contrast between the melodies and the devastating guitars, between Juraj brutal vocals and Nela´s clean female vocals (she is great through all the recording). There are many changes on the songs and the band uses a lot of clean guitars combined with keyboards to deliver new atmospheres. One thing to remark is the excellent sopund that this release has, really making all the music shine with its perfection. A must

Favorite tracks: All the CD


Contact: www.mightymusic.dk

martes, 29 de junio de 2004

REVIEW: TERMINAL DESCENT - MANIFESTING THE PRESENT

 


TERMINAL DESCENT - MANIFESTING THE PRESENT (Independent, 2002)


Produced By: Terminal Descent


Tracks: 1- I am that I am, 2- The Illusion Barrier, 3- Cultivating the Demon meme, 4- The Doctrine, 5- Taming of Beasts, 6- Hostage To the Devil, 7- Manifest The Present, 8- The Prophets Profit, 9- Subtle Misanthropy, 10- Cryptic Demise


Cover Art by Terminal Descent


This is another offering from this band that has an eerie sound (really raw sounding guitars) with brutal elements like the vocals and melodies and interesting arrangements. It is weird to listen to this band music because of the strange sound that the guitars have, specially when combined with slow drumming that gives a feeling of primitive doom that one is not expecting in the fastest parts that are closer to death metal. The sound of the recording is extremely raw and primitive and gives us the sensation of being listening to a live recording (specially because there are not overdubs and there is only one guitar doing all the arrengements all the time). One fundamental element here are the climatic parts like the beginning of "The Prophets Profit" which I think the band should use even more

Favorite tracks: "The Illusion Barrier", "Taming of Beasts" and "The prophets Profit"


Contact: http://members.tripod.com/terminaldescent

lunes, 28 de junio de 2004

REVIEW: TERMINAL DESCENT - OF DARKEST LIGHT

 


TERMINAL DESCENT - OF DARKEST LIGHT (Independent, 2001)


Produced By: Terminal Descent


Tracks: 1- Satanic Mitigation, 2- Maelstrom of Inner Conflict, 3- Atom and Eve (of Science Vs. Religion), 4- Of Darkest Light, 5-Fatality through Futility, 6- Pandemic Somnambulant transition, 7- Let Sleeping Gods Die, 8- Acorn of Deviltry, 9- Acquisition of prescience, 10- Quantum Volition, 11- Rhetorical Quest Ion, 12- Master of My Own Domain, 13- Bound to the Boundless


Cover Art by Tom Hammer


This band is extremely brutal but at the same time has many climatic elements. Yes, the guitars construct incredibly fast riffs in many tracks (with an extremely raw and primitive sound that contrasts with some of the arrangements) but in many places they play melodies and interesting guitar solos that show another dimension of Terminal Descent´s music. There are many changes on each of the songs of this album and the drumming is bestial (I would mix the bass drums louder because there are interesting passages with double bass). The combination of brutality (specially on the vocals) and melodies is an essential feature of this band´s music and I think this guys should use even more melodies over crushing guitars and fast drumming as in "Atom and Eve" that is what gives them a lot of identity.

Favorite tracks: "Of Darkest Light", "Acorn of Deviltry" and "Quantum Volition"


Contact: http://members.tripod.com/terminaldescent

domingo, 27 de junio de 2004

REVIEW: TAD MOROSE - MATTERS OF THE DARK

 


TAD MOROSE - MATTERS OF THE DARK (Century Media, 2002)


Produced By: Tad Morose


Tracks: 1- Sword of Retribution, 2- Matters of the Dark, 3- Ethereal Soul, 4- I Know Your Name, 5- In the Shadows, 6- Another Way, 7- New Clear Skies, 8- Riding the Beast, 9- Reason of the Ghost, 10- The Devil´s Finger, 11- Don´t Pray For Me


Cover Art by Jan Meininghaus


This power metal the way that it must be done: with powerful riffs, interesting solos, heavier than hell sound, twisted melodies and a singer that adds a lot of power besides doing melodies. That is the way bands like Jag Panzer, Vicious Rumours or Jag Panzer have chosen to do their compositions contrasting clearly with softer bands (most of them Helloween clones). This band main goal is to create powerful compositions with heavy feelings and not merely putting together a couple of melodies. Here we have Tad Morose´s heavy sound with amazing vocals and powerful epic choruses that are essential for this band´s music. There are energetic guitars riffs and interesting guitar solos through all this recording and the sound is making the band sound even more powerfully. A must for power metal lovers.

Favorite tracks: "In the Shadows", "Matters of the Dark" and "Riding the Beast"


Contact: www.centurymedia.com