sábado, 10 de julio de 2004

INTERVIEW WITH KILL BY INCHES

 



Interview with Kev (bass/vocals) of the powerful Kill By Inches:


Is your new release ready? How can you describe the music on it?

Our last release, the 5th Kill By Inches cd, came out in 2002, which feels like a million years ago. The music on that cd was a real cross section of what we do as a band. It has 4 tracks on it, Nu-metal, Rap-core, Metal amd Hard Rock. It's done fairly well her in the underground scene and a few places abroad.

Since then, we've been playing our asses off. In January 2004, we decided to stop performing until we finished our next record, which still isn't done. Believe it or not, we ran out of money. The studio costs are crazy-$75 an hour. A few days in the studio can cost up to a months pay!


How would you compare your newer music to the one in for example "In the Flesh"?

"In The Flesh" was us as babys. We were just starting off. The record was basically metal/hardcore but even then, you could hear our style starting to grow. Now, our music has a very unique, very New York City sound. In NYC, you are exposed to so many different kinds of music, food and culture. I think KBI is a blend of all that is heavy in NYC.


How is the process of composing a Kill By Inches track?

Usually one of us comes in with an idea and then the other guys fuck it up! But seriously, we all build on everyones ideas so that the final product sounds like KBI.


How did you team with famous producer Jim Sabella?

Pete, the guitarist is very good at getting in touch with people. A year ago, he got in touch with porno star Brittany Andrews and had an interview with her in hotel room (very, fuckin' hot!) Anyway, we knew Jim Sabella had work with rap ground breakers "Public Enemy" and Death metal legends "Suffocation", so we felt he was our man.

How do you feel about songs like "Man With No country" going up in the metal charts?

We're very thankful to all of the music fans for voting for us and listening to the song. If you readers haven't heard it, they can download the song at www.killbyinches.com/noise and as always, please drop us a line to let us know what you think of the song at kbi@killbyinches.com


What are Kill By Inches lyrics about?

There usually coming from an angry perspective, but not in a self-destructive way, more like, I'm fuckin' pissed, but let's do something about it! The self titled cd touches on being away from home and feeling a little lost or ungrounded, trying to be the best at something so people will take notice and tearing shit up.


How would you describe a typical Kill By inches show?

Here in NY, it's tough to get a good crowd going. There are so many other things to do here in NYC, movies, dance clubs, restaurants or just staying at home and watching television that people don't always come out for local shows. We did open up for Cro Mags singer John Joseph's new band "Bloodclot" who has members of Biohazard, H2o and Sick Of It All, which was a good show. A lot of hardcore kids going crazy so it really pumps us up. A lot of jumping around and sweating!


Which is your live and studio equipment?

Live, our drummer Steve plays a monster Pearl kit, Guitarist Pete uses a Marshall set up specially made for his 7 string ESP guitar! (he's trying to get Les Paul to make him a custom 7 string!) I play out of a Harke bass rig and use a Wasburn bass.

Any final words?

I'd like to thank Music Extreme and all of your readers for keeping the underground music alive. Keep spreading the word of different bands and especially local bands in your area. Without you, we are nothing! Keep It Fuckin hard....kEv from KILL BY INCHES!


KILL BY INCHES WEBSITE: www.killbyinches.com

viernes, 9 de julio de 2004

REVIEW: THE NEMESI - NEW DAWN

 


THE NEMESI - NEW DAWN (Independent, 2002 )


Produced By: The Nemesi


Tracks: 1- End of Time, 2- Free Rage, 3- Live For Myself, 4- New Dawn, 5- Eve of the New World


Cover Art by The Nemesi

Recorded by Andrea Garavaglia 


The Nemesi music can be described as pure metal. Yes, they have a lot of elements of styles like death metal (mainly in the screaming vocals and some riffs), black metal (in some of the vocals and the fast melodic riffs done at full speed) and classical heavy metal (in the guitar melodies and in many solos). But the band has mixed this styles and added a personal dark touch to the sound (this guys have a lot of technical skills too) and they have obtained the "The Nemesi Sound" that can be fully appreciated on the five tracks that we have here on this CD. The thing that I like a lot about this band´s music is that while being aggressive and brutal they have reatined a lot of melodies that helps them to establish their own personality. The problem is that this MCD leaves you wanting more from the Nemesi (they say that on february 2003 they will record their new demo) !!!!!!

Favorite tracks: The five !!


Contact: www.thenemesi.it

jueves, 8 de julio de 2004

REVIEW: THE GREAT KAT - WAGNER´S WAR

 


THE GREAT KAT - WAGNER´S WAR (Independent, 2002 )


Produced By: The Great Kat


Tracks: 1- Wagner´s The Ride of the Valkyries for Symphony, Orchestra, Band and Opera Singers, 2- War, 3- Terror, 4- Punishment, 5- Humiliation, 6- Liszt´s Hungarian Rhapsody #2 for Symphony Orchestra and Band, 7- Sarasate´s "Zapateado" for violin, piano and Band


Mixed by Dug and The Great Kat

Engineered by Brian Harding


The Great Kat has been combining her two favorite styles (classical music and hyper wild metal) since the late eighties. The Great Kat here shows us again her hyper fast riffs and solos (and also her super speed on the violins that she plays with great skills). On this recording she has chosen to combine her own composition which are really wild and shredding with her adaptation of classics by Wagner ("Ride of the Valkyries"), Liszt (Hungarian Rhapsody #2) and Sarasate ("Zapateando"). The tracks are short and played at full speed, but The Great Kat doesn´t miss a note and plays the classics and her own compositions with total accuracy. The Great Kat´s compositions are played at full speed and are really wild, going from ultra fast thrash (with screaming and guttural vocals) and adding a lot of classical arrangements and parts. Drummer and bass player have done a big effort to follow the speed of this track without losing the timing. Lovers of guitar will surely have to check this album.

Favorite tracks: All the CD


Contact: www.greatkat.com

miércoles, 7 de julio de 2004

REVIEW: THE CIRCLE´S END - LIGHTER THIEVES

 THE CIRCLE´S END - LIGHTER THIEVES (SAMPLER)(Independent, 2002)


Produced By: The Circle´s End


Tracks: 1- Kid Viejo, 2- What to Do, 3- Model Citizen, 4- Crazy


Photo by Brandy Ivins


Here we have a band that combines a lot of modern new metal sounds with hip hop and rapping giving some interesting climatic twists to their music using a lot of electronics in order to add a lot of different flavours to their music. Here we have three tracks from their forthcoming EP called "Light Thieves" that will be released really soon. There are some lyrics that are in Spanish, adding a latin feeling to tracks like "Kid Viejo". The tracks. The first track is the one that is more electronic, but the other three are more rocking (I would mix everything a little bit louder, with volume closer to the one on "Kid Viejo"). There are some guitars that give energy to the tracks and contrast with the electronic elements creating an interesting clash. This is an album for lovers of new tendencies in underground music .

Favorite tracks: "Kid Viejo" and "Model Citizen"


Contact: www.circlesendband.com

martes, 6 de julio de 2004

INTERVIEW WITH BENIGHTED



How has been "Insane Cephalic Production" received in the underground?

"ICP" is the third album of Benighted. It's available since last February on the label Adipocere Records and the reviews we could read are fantastic! We received lots of propositions of concerts and we could play with this album with bands like Dying Fetus, Impaled Nazarene, In Extremo, Soulfly, Fear Factory, Nasum, Slipknot... and we've done lots of interviews for mags, webzines, radios, fanzines... This album opened us several gates.

Since you are coming from different backgrounds such as black metal and death metal...how did you reach the sound that is characteristic of Benighted?

We worked for a long time to have the actual sound of Benighted, we want a sound which shall be powerful, heavy and crushing! As we recorded at the Kohlekeller studio in Germany, it helped us to find the best sound for each of our instruments.


How was the process of composing the music in "Insane Cephalic Production"?

The process of composition in Benighted is the same since the beginning. A guitarist comes with riffs and a beginning of structure for a track and we work together to make this track find its final version. It's the work of all the members which gave it's identity to the music of Benighted.

Are you satisfied with the deal with Adipocere?

Adipocere trusts in us since our first album, they always helped us to become well-known and gave the money for the recordings and the promotion. From album to album, they do more and more for us and we've got very good relations with all the team of Adipocere. We'll continue with them for the following releases.


How would you compare "Insane..." with "Psychose" or "Benighted"?

"ICP" is more direct and brutal than the other albums, the way of composition was more instinctive and the tracks are more powerful and easy to remember. These songs are the best tracks we've never composed. There's a big difference of sound too because the last album has the best production we never had before! It's our best album!

What are the lyrics in "Insane..." about?

The concept of Benighted is about psychiatric pathologies as I work in a psychiatric hospital in France. "Psychose" was about adult psychosis and persecution delirium and "ICP" is about mental madness of the child and the woman in pregnancy. All the lyrics are inspired by real facts and pathologies. I'm not talking about a fucking bad horror movie. Lots of bands talk about mental pathologies but many don't know what they're talking about.


Which is your equipment live and in studio?

In studio we're using our personal material as on stage as well. We play with guitars like Washburn or Jackson and the drummer use Pearl but as I'm just a vocalist, I can't tell you more! (laughts)


Which are your memories on your older bands such as Osgiliath and Darkness Fire?

We've got very good memories because it was for each of us the first band but when we decided to create Benighted together, we understood this band had a bigger potential. We had no time for the other bands any more and Benighted became for each of us the absolute priority!


Any final words?

I just want to thank you for this interview! I hope the people in your country will discover our music and enjoy it! I send you all our greetings from France!!! Stay brutal!!!


BENIGHTED WEBSITE: http://perso.wanadoo.fr/benighted/


lunes, 5 de julio de 2004

REVIEW: THE BLOOD DIVINE - RISE PANTHEON DREAMS

 


THE BLOOD DIVINE - RISE PANTHEON DREAMS (Peaceville Records, 2002)


Produced By: The Blood Divine


Tracks: 1- Aureole, 2- Visions in Blue, 3- As Rapture Fades, 4- Revolt, 5- Wilderness, 6- Sensual Ecstasy, 7- Enhanced By Your Touch, 8- I will Bleed, 9- The Passion Reigns, 10- Leaving Me Helpless, 11- Forever Belongs, 12- So Serene, 13- Crazy Horses (live), 14- Aureole (live)


Taken from Mystica, Awaken and unreleased tracks


This band was like a selection of musicians from the underground that created great music. Here we had ex Anathema singer Darren White, three original Cradle of Filth members (Paul Ryan, Ben Ryan and Paul Allender) and an ex member of Extreme Noise Terror (Was Sarginson on drums). The music on thsi album is a selection of tracks from both The Blood Divine albums and there are also some unreleased and demo tracks that make this album essential for any collector. Here we have this rocking and climatic music created from this twisted minds. The songs here have been mixed and the sound is better than in their original versions adding a lot of energy to the compositions (Darren White is killer here with his powerful vocals combined with a total different music from the one he used to do with Anathema. Here we have fourteen tracks of essential listening for lovers of each of the bands mentioned before and dark powerful music in general.

Favorite tracks: "Aureole", "Visions in Blue" and "I will Bleed"


Contact: www.peaceville.com

domingo, 4 de julio de 2004

INTERVIEW WITH OMNISCIENT


Interview with Leslie Hargrave (keyboards), James Hargrave (drums) and Andy Hargrave (guitars) from the brutal Omniscient

Your music is extremely brutal...can we describe it as death metal with black metal elements or is this definition too narrow for you?

That is a pretty good definition. Being called strictly black metal would definately be too narrow. We have always considered ourselves to be brutal symphonic death metal. But we have several other elements that we regularly incorporate into our music such as thrash, speed metal, classical and shred.


How has been you album received in the underground?

The reaction so far has been very good. Considering we did all our own promotion, we have been very happy with the response. Our fan base has grown from national to international fairly rapidly.


How is the process of composing an Omniscient song?

None of our songs have been written in any set pattern. Some start on keyboards, others on guitar. Once we have several riffs that we like, we put them together in the way we feel works best. The lyrics are then written according to what inspires us from the song.

What are Omniscient lyrics about?

Our lyrics are mostly in reference to the idiocy of mankind, life, death, and brillance. Some of the lyrics are so deep and metaphoric that it is hard to describe them in just a few words.


Which element is more important in Omniscient´s music: aggression, rhythms, speed?

A combination of aggression and rhythms. But our intensity and technical, powerful writing is equally important to making memorable songs.


How would you describe an Omniscient show?

Intense. Very Intense. Full of energy that you dont get from just listening to the cd. A certain mixture of brutality and melody thats critical to Omniscient's message.


Which is the band´s live and studio equipment?

Andy uses Jackson guitars and Crate amps and speakers.

Steve uses Kramer and BC Rich guitars, and Peavey amps and speakers.

David uses Jackson professional basses, Carvin amps and speakers, and Shure wireless systems.

Bob uses Shure mics.

Leslie uses Korg keyboards.

James uses Tama rockstar drumset and Vic Firth drum sticks.


Which are the band´s main influences?

Jason Becker, Limbonic Art, Hirojoshi, Emperor, Chopin, Myrkskog, Old Mans Child, classical composers, Kitaro, Vangelis, and Dimmu Borgir.


Any final words?

The Omniscient has been unleashed.


OMNISCIENT´S WEB SITE: www.omniscientgods.com

sábado, 3 de julio de 2004

REVIEW: THE ALL ANGELS CONCERT 1999-2001

 


THE ALL ANGELS CONCERT 1999-2001 (Emanem Disc, 2002)


Compiled by: Rhodri Davies and Mark Wastell


Tracks:

CD 1: 1- J´allume La Lumiére, 2- Your Guess is as Good as Mine, 3- Unquiet Night in Turnham Green, 4- Meteor of Birds, 5- Hardy Annuals Nº1 (Delphinium Consolida)

CD 2: 1- a) Knife, b) Fork, c) Spoon, 2- M&S At St Michel, 3- On the Point of a Needle, 4- Hommage, 5- Even Angels Die


Recorded by Tim Fletcher


The musical pieces contained on this 2 cd set were recorded in different concerts that were played in the St. Michael & All Angels Church, a place with incredible acoustic and resonance as one can listen on the music here. And here we have great musicians doing improvisations with total spontaneity. Some of the artists that played on this concerts have been reviewed by us before like for example John Butcher, Steve Beresfor, Roger Turner and Veryan Weston whose musical quality has been remarked in previews review. Also we have some surprises here that I would like to point out. First is Fabienne Audéoud who is doing the first track of this recording using only amazing vocals showing the incredible vocal range and technique that this artist has. Then Simon Vincent whose work I didn´t know until now. He plays electronics on the track "Hommage" adding special sounds to this concert series. And the grand finale is Veryan Weston playing the church organ with free imagination and extremely open mind (as ll his musical pieces are). One of the best experimental releases of all time.

Favorite tracks: A must


Contact: www.emanemdisc.com

viernes, 2 de julio de 2004

INTERVIEW WITH OPHIS


Interview with Philipp Kruppa, Ophis´ brain:


How was Ophis originally conceived?

Ophis wasn´t concieved really. I found myself writing material for Rain Of Ashes, that didn´t really fit to the style of that band, since it turned out to be more sinister and slow, Doom Metal style. I thought the material was pretty good, so I decided to create a project for it. I had always a deep feeling towards Doom Metal, ever since I hear Metal in general, so it´s no wonder that I felt Doom Metal the best way to express my emotions and thoughts. Thrash Metal is good for letting out aggressions, but Doom Metal goes deeper to the core of your negative emotions.


Which is the main ingredient in Ophis music: aggression, slow tempos or dark atmospheres?

That´s hard to say, because all these ingredients are very important to the Ophis-Style. If I had to decide, I'd chose the dark atmosphere, because without it (or even with a happy mood), Ophis is unconsiderable to me. The

aggression comes automatically, but it could be missing, as long as the song is dark and depressing. I mean, think of the "Breavement" pieces, they are´nt brutal at all, but still transport the atmosphere. Slow tempos are the best way to express this atmosphere in my opinion, but that won´t stop us from doing some fast parts once in a while, when it fits to the mood of the song.

Why did Ophis split up in 2001?

That had simple reasons. Our second guitar player Fred left the band, because he joined Rain Of Ashes, my other band, but had no time left to perform in both groups. He had no input to the songs anyway, but we were rehearsing in his garage at that time, so we lost our rehearsal room too. I wasn´t pleased with the remaining line-up combination anyway and we didn´t even manage to do some fucking gigs, so I decided to put Ophis to a rest for some time. I think we didn´t put enough energy into this band back then. Our drummer then joined Anguished because we could not find an able bass player, and after a long rest, I decided to resurrect Ophis all on my own in late 2002. Then I recorded "Empty, Silent And cold" all by myself. 


How did you decide to take care of all the instruments on your own for the recording?

When I made the very first Ophis recordings in the year 2000 (which never were released), I was still in an experimental phase and had no other musicians, so I did the first tests all on my own on a small 4-track recorder. I´m mainly a drummer, but I also wanted to test my guitar skills.

After the first Ophis line-up had split, I knew from my early experiences, that I was able to make a record all on my own. I had absolved an education as sound assistant, so I knew about the technical stuff, and it was no problem at all. Also, as I told, I wasn´t pleased with how things had turned out with the first line-up, so now I was able to put things up as I had imagined them. I felt enough motivation to push Ophis forward. I wanted to do something on my own to avoid frustrations and to express what I felt. I think that was important for me, although it´s much more fun now that Ophis is a band again.


Which is the concept behind Ophis lyrics?

Well, maybe "concept" is a too strict word, because there is no definite topic the lyrics cling to, but still, most of them deal with my personal disappointments in life, especially those caused by other people and/or myself. They are about inter-personal relationships that failed, about situations that hurt me and about people I lost. I never write about these situations directly, but I try to find metaphors and images for them, so that the listener, who might have experienced something familiar but still something different can identify with the song. Also, I try to express the inner pain I feel with the lyrics. I used to be a very depressive person in my teenage days, and nowadays I´m still oftimes sick of how people generally handle each other. I sometimes feel really misplaced in this world, so I express this within the songs. "Sledgehammer Assfuck" for example is about this situation: someone you love says something to you, just a word maybe, harmless in his or her ears, but it crusches your world to pieces. Just a little gesture maybe, but it shows you, that your thought about this person were just an illusion, and all crumbles to pieces.

How did you find your new bandmates for Ophis? Are you rewriting the old material to record it with the new lineup?

No, we are not rewriting the old stuff. Of course we changed some details in the arrangement here and there, but the songs stayed that way. We all thought the old stuff is great the way it is, and didn´t need an overhaul. Richard, our drummer changed some drumlines too, but we didn´t add new riffs or something. It wasn´t difficult to find a new line-up, because the line-up found me, haha. Richard was our drummer in the first Ophis line-up too, so when he listened "Empty, Silent And Cold", he was keen on a reunion. It was his idea to make Ophis a full band again, since I wanted to do everything alone at first. Of course I agreed, because he was always the best part in the old line-up. So he and myself are the only remains from the old line-up. Jan, our guitarist was a friend of mine who hadn´t played in a band for a long time, and as I told him that I was thinking about reforming

Ophis, he wanted to join us. As in the first line-up, I took over the vocals and the first guitar, because I wanted to do something different than drumming and since I write most of the material, it´s better that way. For bass, I asked our actual Rain Of Ashes bass player Chrille, because I knew that he had a preference for Doom Metal as well, so he joined. Shitty thing is that he left the band last week because of the often recited "musical differences", it´s not technical enough for him. But we have a new one in sight, I think it will work out well. Our plans for the near future won´t be delayed, I think.


How do you combine your work with Ophis with the one in your band Rain of Ashes?

That´s not too difficult, because Rain Of Ashes aren´t as active anymore as they were in the past. Sometimes it´s making me pretty busy, but yet Ophis isn´t big enough to harm Rain Of Ashes. Both bands play live as often as possible, but not every week or such, so it´s no coordination problem.

Richard still plays in Anguished as well, that´s far more difficult for him. As far as the songwriting goes, it's no problem either because in Rain Of Ashes, our guitarist there writes most of the music, so I can focus on writing stuff for Ophis.


Do you have plans for Ophis in the near future?

Yeah, becoming the most famous Rockstars of the world and earn so much money, that we can buy the fucking White House, haha. No, of course we shit on money. Seriously we are planning to enter a studio in late September and to record a new promo with three or four songs for open sale and for contacting record labels. We are hoping to get the ability of recording a full length album some time. After these recording sessions, we hope to make a small tour through Germany with Wytchcraft and Tortured Spirit, but this won´t be before November, so let´s see about that.


Any final words?

Yes, I want to ask everyone to boycot Nu Metal shit-crap, because it commercializes and infests the force and the spirit of any real Metal in the world. Beat them Motherfuckers up wherever you meat them. Let them celebrate their own shit and stay away from real Metal. Metal is religion!

I wanna thank everyone who supported Ophis this far and everyone who will in the future. Greetings to al ye South American Metalheads out there, stay the way you are and keep it moshing. To you, Federico, tanks a lot for the interview, it´s been an honoiur to us and it was fun too. Check out our website www.ophis.net

If you are interested in CDs and infos, just contact me under

rain-of-ashes@gmx.de

Stay Doom, thanks from Ophis!


OPHIS WEBSITE: www.ophis.net

jueves, 1 de julio de 2004

REVIEW: THE BEAST - FIXED BY THE DEVIL

 


THE BEAST - FIXED BY THE DEVIL (Painkiller Recs., 2002)


Produced By: Nornagest


Tracks: 1- Enter, 2- Fixed By the Devil, 3- Black Ritual, 4- Devil Pig, 5- Satanic Dominion, 6- Leave


Cover Art by Chris Moyen


Here we have this band that is a side project from Enthroned member Nornagest. This black metal beast is joined by Headfukker on drums (that has been replaced by Levithmong) in order to create this MCD of primitive black metal in its rawest form. The sound of this recording reminded me of early Beherit or early Mayhem (demos) where the drums are in the background and the guitars are in the front with a raw sound. The vocals are guttural and typical of early days black metal. Everything here is designed to give the listener the rawest type possible of black metal and with an old european feeling that fits really well this band. Maybe with a little bit better sound the results can be more effective. This album includes a cover of "Devil Pig" from classical band Von. Black metal lovers will like this one, specially those who loved Beherit, old Immortal and early Mayhem.

Favorite tracks: "Black Ritual" and "Satanic Dominion"


Contact: www.painkiller-records.com