sábado, 15 de mayo de 2021

30 IMMOLATED; 16 RETURNED RELEASE "THE BURIAL OF THE DEAD - EXCERPTIONS FROM STRAVINSKY´S THE RITE OF SPRING"



PRESS RELEASE:

30 Immolated; 16 Returned

The Burial of The Dead (2021) – Excerpts from Igor Stravinsky’s The Rite of Spring

Self-Release

14 May 2021

30 immolated; 16 returned is an obtuse, frightening, and aggressive avant-garde metal band who are heavily inspired by the Marquis de Sade’s 120 Days of Sodom and are meant to recreate the violent sensorial experience of the book. They bring this horror to life while demonstrating the close relationship between extreme metal and modernist classical music, which many prog and tech-metal fans will enjoy, especially the technical prowess and complex nature of the work as well as the driving primal rhythms, strange harmonies, and quirky melodies. Their latest offering is the upcoming album “The Burial of the Dead”, an arrangement of Igor Stravinsky’s controversial 1913 ballet “The Rite of Spring”.

Chaotic and extreme, 30 immolated; 16 returned take avant-garde, to a new technical level. They are suggested listening for fans of Portal, Howls of Ebb, and Morbid Angel.


Lyric Video - The Augurs of Spring (The Burial of the Dead) - https://youtu.be/OHncp6sVHLE


Latest News Item - 30 immolated; 16 returned Usher In The Spring With A Violent Take On Stravinsky’s “The Rite of Spring”

"A compelling rhythmic pulse runs through this performance (The Augurs of Spring (The Burial of the Dead)), executed in different ways, from primitive, titanic pounding by all instruments to brittle chords or a popping snare (and more). Around that reflex-triggering pulse (which occasionally changes in jarring ways), madness ensues — a cavalcade of burbling bass notes, dissonant slithering, seething, and screeching guitars, frantic drum acrobatics, insectile fretwork fevers, and an array of caustic growls and howls whose lunatic vehemence is almost as unsettling as all the bizarre instrumental intricacy... It is, in a word, wild. Stravinsky may be spinning in his grave, almost at the speed your own head will spin. " - No Clean Singing

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